Paris 2024 break silence on Olympic opening ceremony controversy as organisers apologise after Christians slammed spectacle for woke parody of the Last Supper

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Paris, France – Organisers of the Paris 2024 Olympic Games have issued an apology following widespread criticism of the opening ceremony’s controversial reimagining of Leonardo da Vinci’s iconic “Last Supper” painting. The spectacle, featuring a diverse group of athletes in modern clothing replacing the traditional disciples, drew ire from conservative Christian groups who denounced it as a “woke parody” and a “disrespectful attack on faith.”

The controversy erupted shortly after the ceremony’s conclusion, with social media platforms ablaze with accusations of sacrilege and political correctness run amok. Several prominent Christian figures voiced their disapproval, claiming the depiction “mocked the sacred” and undermined the painting’s historical and religious significance.

In response to the backlash, Tony Estanguet, President of the Paris 2024 Organising Committee, issued a statement expressing regret for any offense caused. “The intention of the artistic piece was to celebrate diversity and inclusion, key values of the Olympic Games,” he stated. “We understand that the artistic interpretation of the Last Supper may have been perceived differently by some, and for that, we sincerely apologize.”

Estanguet stressed that the ceremony aimed to “inspire and unite the world,” and that the “Last Supper” adaptation was intended to be a tribute to the universal human experience of sharing a meal and celebrating together. However, the explanation failed to appease critics who remained adamant that the artistic choice was deliberately provocative and disrespectful.

The controversy underscores a growing sensitivity towards cultural and religious representations in contemporary art and public events. While many hailed the opening ceremony as a bold and innovative expression of modern values, others found its artistic license to be disrespectful and potentially offensive.

The debate over the “Last Supper” parody highlights a complex and nuanced discussion surrounding artistic interpretation, cultural sensitivity, and the appropriate use of religious imagery in public spaces. As the Paris 2024 Games continue, it remains to be seen whether this controversy will impact the wider perception of the event or lead to further discussions on artistic freedom and religious sensitivities.

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